The Blue Mansion

Having had a few days break from the blog over Xmas and New Year it's time to start the occasional post again as we make our way into 2012. I visited Penang over the festive period and had the opportunity to stay at the wonderfully historic Blue Mansion .... or Cheong Fatt Tze Mansion which has been beautifully and meticulously restored to its former glory. This venue provided some great photo opportunities and the above shot exemplifies that with the deep indigo blue colored walls, the rustic floor tiles and the stunningly detailed and colored spiral staircase.

I also had the opportunity during this trip to test out a new lens which I have added to my arsenal of Canon L lenses. I have often wondered about the benefits of a tilt-shift lens and given the high cost of these particular lenses plus the fact that I may not use it enough to justify the cost I have put off this purchase. However I eventually relented (as I often do with camera equipment) and picked up the shiny new Canon TS-E 17mm f/4.0L just prior to the Xmas break.

I love my existing wide angle 16-35mm f/2.8 L lens but one small aggravating feature it has, particularly when taking architecture, are the sloping perspectives which give the impression of the tall buildings falling backwards. At times this can be used to good advantage but in many circumstances it's good to be able to keep everything orthogonal.

I will share some comparison shots of this new tilt-shift lens in a later post but this shot here shows the power of such a lens. Placing the camera body on a tripod and leveling this it's a simple job then to shift the lens up or down to frame the shot and retain perfect verticals. The other great advantage here is the ability to take three shots, one with no lens shift, the other two shots with positive and negative lens shift to capture the scene upwards and downwards. Then it's a very simple task to stitch the three frames into a portrait panorama and as there is no lens distortion makes the stitching process simple and flawless compared to when I have previously done this with a standard wide angle lens. In a similar fashion with the tilt-shift lens adjusted by 90 degrees you can easily capture a landscape panorama with three shots.

I think the shot shown here convinces me of the great benefits of a tilt-shift lens and I am sure that this will probably become one of my favorite lenses to use especially for architectural shots or panoramas.

Chinese Door

This lovely old Chinese door is located at the Cheong Fatt Tze Mansion (or Blue Mansion) in Georgetown, Penang, Malaysia. This heritage building has been beautifully restored revealing intricate details of workmanship and attention to detail in the design of the architecture.

Waldorf Hotel

This is the Waldorf Hotel ..... not the famous one you probably know in Vancouver, New York or London but this is the Waldorf Hotel, Penang. Situated directly opposite the Cheong Fatt Tze's Blue Mansion in Leith Street, Georgetown this is a budget hotel and certainly no where close to the grandeur of the more famous Waldorf Hotels.

The Blue Mansion

Cheong Fatt Tze Mansion is located at 14 Leith Street, 10200 George Town, Penang, Malaysia. The mansion's indigo-blue outer wall makes it a very distinct building in the area and is locally known as the Blue Mansion.

The Circa 1880s mansion built by the merchant Cheong Fatt Tze at the end of 19th century has 38 rooms, 5 granite-paved courtyards, 7 staircases & 220 vernacular timber louvre windows. The architecture of the mansion however originates from the Su Chow Dynasty Period in China. Other features of the house include Gothic louvered windows, Chinese cut and paste porcelain work, Stoke-on-Trent floor tiles made of encaustic clay in geometric pieces all shaped to fit to form a perfect square, Glasgow cast iron works by MacFarlane's & Co. and Art Nouveau48 stained glass windows. The mansion was originally built with careful attention to the principles of Feng Shui. For example, it faces the sea and has Penang Hill behind it, a strategic placement boasting an un-imped view and a promontory at the rear for protection; the domestic annex is built in front of it to prevent any road being built to create a T-Junction in front of it; it has water running through a meandering network of pipes that begin from the eaves of the roof, channeled through the upper ceiling, down the walls collecting in the central courtyard before being channeled away from the property via a similar network of pipes, in this case, underneath the entire flooring system and is built with a step in the middle to create a slope (to ride on the dragons back).

The distinctive blue colour of the mansion is the result of mixing lime with natural blue dye made from the Indigo plant. The blue was very popular in the Colonial period and the dye was imported from India to Penang by the British. The lime-wash was very effective in a tropical weather as it absorbed moisture and cooled the house whilst dispelling moisture without damage to the structural integrity of the walls. Though white was the most easily-available colour, the indigo-blue was chosen as the former is a colour synonymous with death for the Chinese.

The mansion was purchased from Cheong Fatt Tze's descendants in 1989 by a group of local Penang individuals in order to save the edifice from encroaching development and possible demolition. While it remains until now, a private-residence, the property operates as a 16 Room Bed & Breakfast-cum-museum as part of the adaptive-reuse of an ongoing restoration project.

The mansion has been featured in various films including the 1993 Oscar-winning French film "Indochine" starring Catherine Deneuve, 'The Red Kebaya', "Road to Dawn', '3rd Generation' and the critically acclaimed 'The Blue Mansion' in 2009 by Singapore Director Glen Goei of 'Forever Fever' fame. The mansion has also been featured in programs broadcast on various international tv channels (CNN, BCC, The History Channel, Discovery Travel & Living).