Showing posts with label Thailand. Show all posts
Showing posts with label Thailand. Show all posts

Sunday, February 17, 2013

Prasat Preah Vihear


Away from the normal tourist temple areas of Angkor you can find some unique and incredibly interesting  remote temples in Cambodia which are uncluttered by tourists allowing you to feel like a real first-time explorer. One such temple, and one which is one of the more remote locations, is Prasat Preah Vihear. Preah Vihear Temple is a Hindu temple built during the reign of Khmer Empire, that is situated on top of a 525-metre (1,722 ft) cliff in the Dangrek Mountains, in the Preah Vihear province, Cambodia. In 1962, following a lengthy dispute between Thailand and Cambodia over ownership, the International Court of Justice (ICJ) in The Hague awarded the temple to Cambodia. Because of these past disputes there is still a heavy military presence at the temple site with bunkers, dugouts and many soldiers on the hilltop.








Prasat Preah Vihear has the most spectacular setting of all the temples built during the six-centuries-long Khmer Empire with a view for many miles over the plains of North Cambodia. As a key edifice of the empire's spiritual life, it was supported and modified by successive kings and so bears elements of several architectural styles. Preah Vihear is unusual among Khmer temples in being constructed along a long north-south axis, rather than having the conventional rectangular plan with orientation toward the east. The temple gives its name to Cambodia's Preah Vihear province, in which it is now located, as well as the Khao Phra Wihan National Park which borders it in Thailand's Sisaket province and through which the temple is most easily accessible. On July 7, 2008, Preah Vihear was listed as a UNESCO World Heritage Site.






The temple was built at the top of Pey Tadi, a steep cliff in the range of the Dangrek Mountains which are the natural border between Thailand and Cambodia. Hence, the temple is located exactly at the watershed border line between Thailand and Cambodia. The ancient entrance passage and stairs to the temple was built from Thailand's highland side of the mountain up to the cliff, NOT from Cambodia's very low plain side. Hundred years ago, Cambodia was a part of Thailand (known as Kingdom of Siam) until France colonization period before World War 1. Following that period, the Colonial Cambodia and Thailand both declared the occupation of the temple site.






The Temple was listed by Thailand as being in Bhumsrol village of Bueng Malu sub-district (now merged with Sao Thong Chai sub-district), in Kantharalak district of the Sisaket province of eastern Thailand. It is 110 km from the Mueang Si Sa Ket district, the center of Si Sa Ket province.
The Temple was also listed by Cambodia as being in Svay Chrum Village, Kan Tout Commune, in Choam Khsant District of Preah Vihear province of northern Cambodia. The temple is 140 km from Angkor Wat and 320 km from Phnom Penh.
After the ICJ ruled in 1962 that only the Temple building belonged to Cambodia. While the direct way to access the temple is always from Thailand. This verdict has given hard time to both countries ever since.
Construction of the first temple on the site began in the early 9th century; both then and in the following centuries it was dedicated to the Hindu god Shiva in his manifestations as the mountain gods Sikharesvara and Bhadresvara. The earliest surviving parts of the temple, however, date from the Koh Ker period in the early 10th century, when the empire's capital was at the city of that name. Today, elements of the Banteay Srei style of the late 10th century can be seen, but most of the temple was constructed during the reigns of the Khmer kings Suryavarman I (1002–1050) and Suryavarman II (1113–1150). An inscription found at the temple provides a detailed account of Suryavarman II studying sacred rituals, celebrating religious festivals and making gifts, including white parasols, golden bowls and  elephants to his spiritual advisor, the aged Brahmin Divakarapandita. The Brahmin himself took an interest in the temple, according to the inscription, donating to it a golden statue of a dancing Shiva known as "Nataraja". In the wake of the decline of  Hinduism in the region the site was converted to use by Buddhists.








The temple complex runs 800 m (2,600 ft) along a north-south axis facing the plains to the north, from which it is now cut off by the international border. It consists essentially of a causeway and steps rising up the hill towards the sanctuary, which sits on the clifftop at the southern end of the complex (120 m/390 ft above the northern end of the complex, 525 m/1,722 ft above the Cambodian plain and 625 m/2,051 ft above sea level). Although this structure is very different from the temple mountains found at Angkor, it serves the same purpose as a stylised representation of Mount Meru, the home of the gods.
The approach to the sanctuary is punctuated by five gopuras (these are conventionally numbered from the sanctuary outwards, so gopura five is the first to be reached by visitors). Each of the gopuras before the courtyards is reached by a set of steps, and so marks a change in height which increases their impact. The gopuras also block a visitor's view of the next part of the temple until they pass through the gateway, making it impossible to see the complex as a whole from any one point.
The fifth gopura, in the Koh Ker style, retains traces of the red paint with which it was once decorated, although the tiled roof has now disappeared. The fourth gopura is later, from the Khleang/Baphuon periods, and has on its southern outer  pediment, "one of the masterpieces of Preah Vihear" (Freeman, p. 162) : a depiction of the Churning of the Sea of Milk. The third is the largest, and is also flanked by two halls. The sanctuary is reached via two successive courtyards, in the outer of which are two libraries.






On July 8, 2008, the World Heritage Committee decided to add Prasat Preah Vihear, along with 26 other sites, to the World Heritage Site list, despite several protests from Thailand, since the map implied Cambodian ownership of disputed land next to the temple.
As the process of Heritage-listing began, Cambodia announced its intention to apply for World Heritage inscription by UNESCO. Thailand protested that it should be a joint-effort and UNESCO deferred debate at its 2007 meeting.
Following this, both Cambodia and Thailand were in full agreement that Preah Vihear Temple had "Outstanding Universal Value" and should be inscribed on the World heritage List as soon as possible. The two nations agreed that Cambodia should propose the site for formal inscription on the World Heritage List at the 32nd session of the World Heritage Committee in 2008 with the active support of Thailand. This led to a redrawing of the map of the area for proposed inscription, leaving only the temple and its immediate environs.
However, Thailand's political opposition launched an attack on this revised plan  claiming the inclusion of Preah Vihear could nevertheless "consume" the overlapping disputed area near the temple. In response to the political pressure at home, the Thai government withdrew its formal support for the listing of Preah Vihear Temple as a World Heritage site.
Cambodia continued with the application for World Heritage status and, despite official Thai protests, on July 7, 2008, Preah Vihear Temple was inscribed on the list of World Heritage sites.





The renewed national boundary dispute since 2008 has been a reminder that despite the World Heritage ideals of conservation for all humanity, operating a World Heritage site often requires use of national authority at odds with the local cultures and natural diversity of the landscape. Prior to the listing, Cambodia considered Preah Vihear to be part of a Protected Landscape (IUCN category V), defined as "Nationally significant natural and semi-natural landscapes which must be maintained to provide opportunities for recreation." However, Category V is generally defined as "Land, with coast and seas as appropriate, where the interaction of people and nature over time has produced an area of distinct character with significant aesthetic, cultural and/or ecological value, and often with high biological diversity. Safeguarding the integrity of this traditional interaction is vital to the protection, maintenance and evolution of such an area."




Monday, November 14, 2011

Wat Chaiyamangalaram



The Wat Chaiyamangalaram temple in Georgetown, Penang, is the largest Thai Buddhist Temple in Penang and is famous for its 33 meter long reclining Buddha, one of the world's longest. The temple was built on a piece of land given by Queen Victoria to four women trustees as a gesture of goodwill to boost trading relations with Thailand.

Thursday, October 20, 2011

Hmong Hill Tribe Woman


Hmong (Meo) is the second largest group of the hill tribes who live largely around Chiang Mai, Chiang Rai and Tak Provinces and are often seen in the local night markets, selling their handicrafts, exquisite needlework, and tribal clothing. The women are notable for their bulky hairstyles, enhanced by hairpieces. Hmong, often seen on treks, divide themselves into the White and Blue subdivisions, based on the favored colors of their traditional costumes.

Thursday, September 22, 2011

Rustic Fornication


This rustic and rough wood carving was seen in a hilltribe camp in Northern Thailand close to Chiang Rai. I'm not sure what message the artist was trying to convey but it certainly demonstrates the potency of these tribal people of north Thailand!

Friday, September 02, 2011

Thai Dancers


Dance in Thailand is the main dramatic art form of Thailand. Thai dance, like many forms of traditional Asian dance, can be divided into two major categories that correspond roughly to the high art (classical dance) and low art (folk dance) distinction.


Although the traditional performing arts are not as vibrant as they once were, suffering inroads by western entertainments and generally changing tastes, Thai dance drama is not extinct. What survives displays the elegance of an art form refined over centuries and supported by regal patronage.
The Thais reputedly first acquired a dance troupe when, in AD 1431, they conquered the ancient Khmer capital of Angkor and took as part of their spoils an entire corps de ballet. Dancers whose performances had once been seen as a symbolic link between nature, earth and the realm of the gods.
Aside from folk and regional dances (southern Thailand's Indian-influenced manohra dance, for example), the two major forms of Thai classical dance drama are khon and lakon nai. In the beginning both were exclusively court entertainments and it was not until much later that a popular style of dance theater, Likay, evolved as a diversion for the common folk who had no access to royal performances.


Tuesday, August 16, 2011

Spinning a Yarn


This lady is from the long-neck Karen tribe who live in northern Thailand. Her distinctive brass neck rings give the impression of an elongated neck but in fact they actually just push down the collar bone. She is spinning her cotton threads for weaving of the colourful textiles you see in the background.

Wednesday, August 10, 2011

Long-Neck Karen Girl


In northern Thailand around Chiang Rai you can still find the long-neck Karen tribe living in certain areas. They are well known because of the bizarre habit of the women wearing traditional brass rings around their neck. Starting at a very young age the young girls start with a few rings and as they grow they gradually add on rings till the neck appears very elongated. In fact the appearance of a longer neck is a visual illusion. The weight of the rings pushes down the collar bone, as well as the upper ribs, to such an angle that the collar bone actually appears to be a part of the neck.

Wednesday, May 04, 2011

Kalsang Friend's Corner


This small restaurant in Mussoorie, North India specialised in Tibetan, Chinese and Thai cuisine .... an interesting mix to say the least and have to admit I did not have the opportunity to try the delights of the restauarant. This part of India has many Tibetans and in hill towns such as Mussoorie you see them working as labourers or porters.

Sunday, September 05, 2010

Alternative to HDR?

There are usually two fairly strong factions when it comes to HDR .... that is those who love it and those who hate it. I have sat on both sides of the fence having dabbled with HDR for some time then looked at the results and have been sometimes unhappy about some of the final images. However if done correctly and in moderation HDR can produce some pretty spectacular images but usually needs a set of bracketed images to cover the dynamic range of the particular scene and shot preferably using a tripod
The following image is an HDR image I composed in Chiang Rai, Thailand as the sun was setting over the Mae Kok River. I took 3 shots at -2, 0, and +2 EV and combined the 3 images in PhotoMatixPro application.
The 3 bracketed shots that the final HDR image was created from are below for reference.
0 EV
-2 EV
+2 EV

Recently I have using Topaz Fusion Express as a plugin for Aperture and have found that the results can produce images that are as good if not better than HDR images and only using one exposure rather than a number of bracketed shots.
Taking the same image as above, i.e. the 0 EV exposure image and running it through Topaz Fusion Express I got the above result which is equivalent or in my view even better than the HDR image produced from the 3 bracketed images.

Saturday, May 29, 2010

Mae Fah Luang Art & Cultural Park


The Mae Fah Luang Art and Cultural Park on the outskirts of Chiang Rai, Thailand was originally started as the office of the Thai Hill Crafts Foundation. Through purchasing and marketing handicrafts, the Thai Hill Crafts Foundation helped preserve the traditional skills and support the livelihoods of ethnic minorities. Subsequently the Princess Mother of the Thai royal family initiated a youth development programme and Mae Fah Luang became a home for hundreds of youths from remote areas with no access for schooling. The area had lodgings for the ethnic minority youths who came to attend schools and also learn about living in urban areas, among other aspects of modern life in Thailand. These young people were from the immediate vicinity of Doi Tung and neighboring areas such as Payao province. In addition to textbooks or classroom lessons, the late Princess Mother believed in acquiring skills from actual experiences. Students learnt how to live as a community, developing their social skills. Having shared responsibilities, they cared for the younger, learnt about time management, worked in shifts to clean their lodgings, farmed, gardened, and tended vegetable plots. The goal was that this training would help students grow into dedicated, hard-working, ethical leaders of their communities.

Wednesday, May 19, 2010

Katoey at the Chiang Rai Night Market

This could be a photo in Copacabana, Rio de Janeiro during carnival time ... but it's actually a couple of katoey (or lady boys) at the night market in Chiang Rai, Thailand making their way flamboyantly through the crowds after their cabaret show on the stage.

Wednesday, May 12, 2010

Hold up in Chiang Rai Night Market

I was standing in the night market in Chiang Rai, patiently waiting on my wife who was shopping in some trinket shop when i turned to see a guy holding up a woman at gunpoint. I also quickly realised that the woman was selling a collection of wooden toy guns and this customer was just playing the fool with one of her products, as you can see from the expressions of the onlookers.

Sunday, May 09, 2010

Thursday, April 29, 2010

Le Meridien Chiang Rai Resort

Here are some selected images of the Le Meridien Resort in Chiang Rai, Thailand where we stayed for 4 days. The resort, situated along the Mae Kok River, is moments from the town of Chiang Rai, the former capital of the ancient Lanna Kingdom founded by King Meng Rai.
The resort features a blend of activities, including therapeutic treatments at the spa, refreshing swims in the pool, and hearty workouts in the gym. Outdoors, guests can embark on hill tribe visits, elephant trekking, and river tours.
The resort comprises 159 modern rooms and suites in five wings. Guest can revel in the expansive rooms, as the smallest measures 53 square metres. Views from the balconies overlook a private lake, lush lawns, and the Mae Kok River.