Bukit Tinggi Japanese Gardens

Japanese gardens are always so soothing and this one is surprisingly located close to the top of a jungle-clad hill in Malaysia on the outskirts of Kuala Lumpur.

At 3,500 feet above sea level on Bukit Tinggi is the Zen-inspired Japanese Village, where you can stroll along the landscaped Japanese Garden. And if you feel like it, you can rejuvenate at the Tatami Spa or participate in a tea drinking ceremony at the authentic wooden Japanese Tea House.

This Japanese Village in the middle of a tropical forest is the work of a Japanese architect, Kaio Ariizumi. Together with other experts he designed the landscape according to the ambiance of a typical Japanese village, with stoned lightings, pebbled streams and pools with koi fishes and varieties of Japanese flora.

The Japanese garden here is artistically crafted, with bonsai trees and bamboo plants, small bridge crossing with cobbled stones, pool and waterfalls – elements of nature typical of a Japanese traditional village. Crossing the small bridge there is an authentic Japanese tea house, which is covered with Japanese tatami mat and door of paper with wooden frames. Here, guests can browse the exhibit on Japanese handicrafts and participate in a Japanese-style tea drinking ceremony.

Ryoan-ji Zen Rock Garden

Ryōan-ji  (The Temple of the Dragon at Peace) is a Zen temple located in northwest Kyoto, Japan. Belonging to the Myoshin-ji school of the Rinzai branch of Zen Buddhism, the temple and karesansui garden is one of the Historic Monuments of Ancient Kyoto, a UNESCO World Heritage Site.

The site of the temple was originally a Fujiwara family estate. It eventually came into the hands of the Hosokawa clan branch of the Fujiwaras. Hosokawa Katsumoto inherited the residence, and lived here before the Ōnin War. Katsumoto willed the war-ravaged property to be converted into a Zen sect temple complex after his death. Later Hosokawa emperors are grouped together in what are today known as the "Seven Imperial Tombs" at Ryoan-ji. The burial places of these emperors -- Uda, Kazan, Ichijō, Go-Suzaku, Go-Reizei, Go-Sanjō, and Horikawa -- would have been comparatively humble in the period after their deaths. These tombs reached their present state as a result of the 19th century restoration of imperial sepulchers (misasagi) which were ordered by Emperor Meiji.

An object of interest near the rear of the monks quarters is the carved stone receptacle into which water for ritual purification continuously flows. This is the Ryōan-ji tsukubai, which translates literally as "crouch;" and the lower elevation of the basin requires the user to bend a little bit to reach the water, which suggests supplication and reverence. The kanji written on the surface of the stone are without significance when read alone. If each is read in combination with 口 (kuchi), which the central bowl is meant to represent, then the characters become 吾, 唯, 足, 知. This is read as "ware tada taru (wo) shiru" and translates literally as "I only know plenty" (吾 = ware = I, 唯 = tada = only, 足 = taru = plenty, 知 = shiru = know). The meaning of the phrase carved into the top of the tsukubai is simply that "what one has is all one needs" and is meant to reinforce the basic anti-materialistic teachings of Buddhism.

To many, the temple's name is synonymous with the temple's famous 'Zen garden', the karesansui (dry landscape) rock garden, thought to have been built in the late 15th century. The garden consists of raked gravel and fifteen moss-covered boulders, which are placed so that, when looking at the garden from any angle (other than from above) only fourteen of the boulders are visible at one time. It is traditionally said that only through attaining enlightenment would one be able to view the fifteenth boulder.