White Elephant of Bukit Kiara

Bukit Kiara is a small jungle-clad set of hills on the west side of Kuala Lumpur bordering with Petaling Jaya. Surrounded by up-coming residential and commercial areas such as Damansara Heights, Sri Hartamas, Desa Sri Hartamas, Mont' Kiara, Taman Tun and prestigious sporting venues such as Kuala Lumpur Golf & Country Club and Bukit Kiara Equestrian Centre this small area of land has become increasingly under pressure for potential development given its strategic location. Bukit Kiara has numerous trails and paths originally used by rubber tappers and now increasingly used by walkers, runners, and mountain bike riders. At the weekend this area can get busy with these outdoor enthusiasts and it has been these groups that have been pressing the authorities to maintain this area for such activities and to protest against development in these hills.

Bukit Kiara Location

On the east side of Bukit Kiara on a prime hilltop location facing eastwards with a tremendous city view, an impressive mansion construction was started many years ago. With large, palatial, multi-level floors and three distinctive large domed roofs, this property would have been an incredibly impressive and prestigious piece of architecture, had it ever been completed. It now stands a mere concrete skeleton of a building with the framework of the large roof domes in place. The unfinished building has been left in this state for at least 2 years now like many other projects in Malaysia. Did the owner/developer run out of funds for this incredible building or is there some other reason the building was left incomplete? I have read that this abandoned mansion project was started by Y. Bhg. Datuk P. Kasi, MD/CEO of MK Land Holdings Berhad and was estimated to be in the order of RM45 million (excluding the land cost!). Interestingly enough Datuk Kasi was also the developer of the nearby Matahari condominium project in Desa Sri Hartamas - is it a coincidence that both projects have stalled and been abandoned?

I have passed by this hill countless times so at last I decided to go and explore the building at close quarters for myself and document this with some on-location photographs. I had spotted some time ago a small path opening into the forest close to the school in Desa Sri Hartamas so decided to take a bag of camera gear and head into the jungle at this point and hope to get close to the abandoned mansion. This path initially took me into an area where there had been some attempted development and where I saw again the presence of a large fence, having seen many similar large fences al over the hill. Apparently these large fences were constructed under the pretence of maintaining and protecting the environment but after much protest and complaints from the many hill users this construction was halted. The fences however still stand and are not only an eye sore to the environment but in the process of construction there has been some significant damage to the environment. At the fence there was an open gate into the trees but I headed up the steep hill to the right side following closely to the fence which eventually brought me up to the rear of the abandoned property.

The property is now surrounded by large undergrowth and abandoned construction equipment but it was fairly easy now to enter the building from this direction. Walking into this level I was immediately under the large central dome with extensive areas running off left, right and then all the way to the front of the building where perhaps the swimming pool was meant to be located. From here a great panoramic view of the city could be seen. This front area was now littered with abandoned and rising scaffolding. There were about two levels of floors below this and above on both sides a further 3 floors running up to the two domed roofs at each side of the building. Apparently the mansion was planned to have about 20 bedrooms, a large banquet room and a super-sized master bathroom. The building shell had some concrete steps already in place so it was easy to walk upstairs to the upper levels. I could also see that there was an elevator shaft already constructed.

At this point a security guard popped out of nowhere and of course he approached me and asked what I was doing there. He was a small Nepalese guy and although he initially told me his boss would not be happy I was there I chatted to him for some time telling him I was a photographer, had visited his wonderful country last year trekking up the Everest Base Camp Trail and all I wanted was a few photos he became friendlier and I also realised his boss was certainly not there. Another Nepali guy appeared who was his friend and after showing them photos I had on my iPhone of Nepal they had no problem with me taking some photos. The guard mentioned he had a Buddha downstairs so this I had to see. He led me down one level to where their "office" was and their simple sleeping area and there on one wall they had constructed a Buddha shrine with Buddhas painted on the wall and complete with "Nepali style" prayer flags strung across the ceiling. After photographing this they insisted on me taking their photo and they also took my photo with their phone camera. 

Having appeased the "guards" I now had a free run of the building so took my time to explore each floor and take numerous photos. The top floors had wonderful views over the city and being on the edge of the hill also had a pleasant breeze blowing through. On the top level on one side two large piles of sand had been left dumped and having been there for so long now grass had seeded there. 

I tried to imagine how this building would be in its finished state and looking down from the top level down through the numerous floors below you could imagine that it would indeed be a very impressive piece of architecture and with the stunning, prime view over the city of Kuala Lumpur it would be hard to match this for location. However, sad to say, it it now been left abandoned and who knows if it will ever get completed or will be left to rot away in the tropical climate like I have seen happen to many other abandoned building projects in the city. It's a shame that authorities cannot impose rules and regulations (and enforce these!) to ensure buildings are completed to plan and if not then the land returned to its original condition to maintain our precious environment like the one we have at Bukit Kiara.

Villa La Rotonda, Vicenza

Villa La Rotonda is a Renaissance villa just outside Vicenza, northern Italy, designed by Andrea Palladio. The proper name is Villa Almerico Capra, but it is also known as La Rotonda, Villa Rotonda, Villa Capra and Villa Almerico. The name "Capra" derives from the Capra brothers, who completed the building after it was ceded to them in 1592. Along with other works by Palladio, the building is conserved as part of the World Heritage Site “City of Vicenza and the Palladian Villas of the Veneto”.

Inspiration

In 1565 a priest, Paulo Almerico, on his retirement from the  Vatican (as referendario apostolico of Pope Pius IV and afterwards Pius V), decided to return to his home town of Vicenza in the Venetian countryside and build a country house. This house, later known as 'La Rotonda', was to be one of Palladio's best-known legacies to the architectural world. Villa Capra may have inspired a thousand subsequent buildings, but the villa was itself inspired by the Pantheon in Rome.

Design

The site selected was a hilltop just outside the city of Vicenza. Unlike some other Palladian villas, the building was not designed from the start to accommodate a working farm. This sophisticated building was designed for a site which was, in modern terminology, "suburban". Palladio classed the building as a "palazzo" rather than a villa.

The design is for a completely symmetrical building having a square plan with four facades, each of which has a projecting portico. The whole is contained within an imaginary circle which touches each corner of the building and centres of the porticos. (illustration, left). The name La Rotonda refers to the central circular hall with its dome. To describe the villa, as a whole, as a 'rotonda' is technically incorrect, as the building is not circular but rather the intersection of a square with a cross. Each portico has steps leading up, and opens via a small cabinet or corridor to the circular domed central hall. This and all other rooms were proportioned with mathematical precision according to Palladio's own rules of architecture which he published in the Quattro Libri dell’ Architettura.

The design reflected the Humanis values of Renaissance architecture. In order for each room to have some sun, the design was rotated 45 degrees from each cardinal point of the compass. Each of the four porticos has pediments graced by statues of classical deities. The pediments were each supported by six Ionic columns. Each portico was flanked by a single window. All principal rooms were on the second floor or piano nobile.

Building began in 1567. Palladio, and the owner, Paolo Almerico, were not to see the completion of the villa. Palladio died in 1580 and a second architect, Vincenzo Scamozzi was employed by the new owners to oversee the completion. One of the major changes he made to the original plan was to modify the two-storey centre hall.

Interior

The interior design of the Villa was to be as wonderful, if not more so, than the exterior. Alessandro and Giovanni Battista Maganza and Anselmo Canera were commissioned to paint frescoes in the principal salons.

Among the four principal salons on the piano nobile are the West Salon (also called the Holy Room, because of the religious nature of its frescoes and ceiling), and the East Salon, which contains an allegorical life story of the first owner Paolo Almerico, his many admirable qualities portrayed in fresco.

The highlight of the interior is the central, circular hall, surrounded by a balcony and covered by the domed ceiling; it soars the full height of the main house up to the cupola, with walls decorated in trompe l’oeil. Abundant frescoes create an atmosphere that is more reminiscent of a cathedral than the principal salon of a country house.

Landscape

From the porticos wonderful views of the surrounding countryside can be seen; this is no coincidence as the Villa was designed to be in perfect harmony with the landscape. This was in complete contrast to such buildings as Villa Farnese of just 16 years earlier. Thus, while the house appears to be completely symmetrical, it actually has certain deviations, designed to allow each facade to complement the surrounding landscape and topography. Hence there are variations in the facades, in the width of steps, retaining walls, etc. In this way, the symmetry of the architecture allows for the asymmetry of the landscape, and creates a seemingly symmetrical whole. The landscape is a panoramic vision of trees and meadows and woods, with the distant Vicenza on the horizon.

The northwest portico is set onto the hill as the termination of a straight carriage drive from the principal gates. This carriageway is an avenue between the service blocks, built by the Capra brothers who acquired the villa in 1591; they commissioned Vincenzo Scamozzi to complete the villa and construct the range of staff and agricultural buildings. As one approaches the villa from this angle one is deliberately made to feel one is ascending from some less worthy place to a temple on high. This same view in reverse, from the villa, highlights a classical chapel on the edge of Vicenza, thus villa and town are united.

Film

In 1979, American film director Joseph Losey filmed Wolfgang Amadeus Mozart’s opera Don Giovanni, in Villa La Rotonda and the Veneto region of Italy. The film was nominated for several Cesar Awards in 1980 including Best Director, and has generally been praised as one of the finer adaptations of opera to the big screen.

World Heritage Site

In 1994 UNESCO designated the building as part of a World Heritage Site.

The late owner of the villa was Mario di Valmarana († Oct. 13, 2010), a former professor of architecture at the University of Virginia. It was his declared ambition to preserve Villa Rotonda so that it may be appreciated by future generations. The interior is open to the public on Wednesdays and Saturdays, except during the winter months, and the grounds are open every day.