Showing posts with label Apple. Show all posts
Showing posts with label Apple. Show all posts

Sunday, March 22, 2015

Capture One Pro Ver 8 from Phase One - A Brief Review


Introduction

With the decision by Apple to cease the development of Aperture and the early reviews of the "replacement" Photos app not being very positive (in terms of not being a true pro users tool and in no way a replacement for Aperture) I decided to take a closer look at Capture One Pro from Phase One. I had dabbled last year with an evaluation copy of Lightroom but was not overly impressed with the application. It was not that intuitive and felt clumsy in comparison to Aperture. Further more its embedded integration with the rest of the Adobe suite and the subscription issue did not really excite me. 

I downloaded a 30 day trial version of Capture One and evaluated the app with a set of images I had recently processed with Aperture to do a direct comparison. A brief review is described below showing my thoughts on a real life workflow process.

Image Import

I tested the file importation from a recent SD card with 480 RAW images taken on a recent trip to Thailand. You can choose to import to the Capture One Catalog or another external file location so I guess similar to Aperture with it's Library or referenced file option. There are options to add in Copyright info or preset filters as well as file renaming conventions. You can save the preset filters and a variety of Copyright settings.

The first time I tried to import images I noted there was no way to just choose RAW files in the import dialogue box .... it would choose all the RAW and JPG files together so you would end up with duplicate RAW files and JPG files in your catalog. I eventually found a Global Filter that allowed me to exclude all JPG files then you had to choose all the RAW files in the import dialogue box so that only the RAW files would be imported. A little clumsy  - it would have been so much easier had the import dialogue box had options like Aperture for RAW only, RAW+JPG pairs, etc.



As the files are imported previews are built and like Aperture you can choose the size of these previews. It took just over 7 mins to import the images and then 2.5 mins to finish building previews for the 480 photos, so a total of 9.5 mins. You can however start to work on the images before all the previews are completed in a similar way to Aperture.

For comparison I imported the same card into Aperture and this took 3mins 48 secs to import the 466 images and then a further 3 mins  22 secs to generate the previews for a total time of 7 mins 10 secs. So a big advantage (approx. 25% faster) for Aperture for the image ingestion.

Preview sizes for both Capture One and Aperture were set at the same size (fit 1920 x 1920).


File Management 

Capture One stores images in a "Catalog" whereas Aperture stores in a "Library". You can set up this Catalog on a local or remote disk system and you can set up a number of differently named Catalogs. You can store files in the Catalog or in another defined folder so a similar setup when compared to the Aperture Library and Referenced Files.


Capture One also has the ability to set up Projects within the Catalog and inside the Projects set up Groups, Albums and Smart Albums. So a very similar hierarchy to Aperture, other than an additional level of Groups, just different nomenclature.

Filters allow you to sort your Catalog by star ratings or colour tag or location.

First Impressions

The layout of Capture One is fairly intuitive and familiar. A large Viewer window takes up most of the workspace real estate with a smaller browser or thumbnail viewer at the bottom. At the top of the screen are an array of tool tabs and cursor tabs. On the left is a panel showing information about the library where the images are stored and filter options including ratings, colour tags, date, keywords and location data.



Tool Tabs


There are a number of tool tabs at the top left of the window allowing access to a range of categorised tools :

Library (to view catalog and folder locations and filter on start rating, colour tag or location data)
Capture (shows exposure evaluation of the image and where it is being stored, also tethered capture setup tools)
Colour (colour tools including white balance, colour balance, black & white options and colour editing)
Exposure (controls for exposure, contrast, brightness, saturation, highlights, shadows, curve tool, clarity and vignetting tools)
Lens (lens correction tools)
Composition (crop, rotation and keystone tools)
Details (focus, sharpening, noise reduction, film grain, moire and spot removal tools)
Local Adjustments (local adjustments like the brush tool in Aperture for any of the adjustments)
Adjustments (adjustments clipboard)
MetaData (keywords and metadata tools)
Output (file output tools with sizing and naming facilities)
Batch (batch process facility)

You can also setup your own customised tool tab with all the tools you perhaps use on a routine basis within your image workflow. This is a very useful and powerful capability.

Rating, Tagging, Keywording & MetaData

Like Aperture you can rate photographs by a star system (0 to 5 stars) and there is also a colour tag system you can use to tag photos for your own personalised reason. Keywords can be added for images as well as location. 


I have not found anyplace as yet that you can manually enter GPS coordinates of the photo location - there is a place in the EXIF data for GPS coordinates but this will probably only work for cameras with built-in GPS. The map function in Aperture is great for adding in locations of your images.

You can add IPTC metadata such as description, category, location, city, state, country, etc and you can then copy this metadata from one image to a set of images in a similar fashion that lift and stamp works in Aperture. However one first testing the copying of key attributes seems a little more clumsy than the Lift & Stamp option that Aperture offers.


Image Editing


Image editing is very comprehensive and has all the usual suspects such as exposure, contrast, brightness, saturation and a useful highlights and shadows tool under the High Dynamic Range tool set which is similar to Aperture's Recovery and Blackpoint tools. 

There is a really excellent automatic button which can automatically adjust key functions individually within the individual tool or globally using the large A icon in the top right tool bar. The global automated adjustment covers exposure, white balance, levels, highlights, shadows, rotation and even keystone (you can choose which ones you want in the global auto adjustment). I tried this on quite a number of images and the results were truly impressive and offering a rapid adjustment for images.



There are local adjustment capabilities for any of the adjustments and this seems similar to Aperture's Brushes tool for adjusting parameters locally within the image.


There is the usual cropping tool but a useful addition over what is available in Aperture is the Keystone tool allowing you to straighten bending verticals or horizontals.


There is range of colour tools for adjusting white balance and colour balance with a basic black and white tool and colour editor


Comparisons to Aperture

Capture One certainly has all the tools you would need to store, keyword, tag, and edit your images. In terms of usability it is hard to judge at the moment being a novice user ..... it seems slower than Aperture probably mainly due to unfamiliarity of where all the tools are and the best workflow process to adopt. 

Listed below are some of the first noted advantages of each product ..... I'm sure I will uncover more as I continue to test Capture One.

Advantages of Aperture


  • Robust and comprehensive image management
  • Flexible and non-linear workflow
  • Stacks
  • Extensive plug-ins to retain post processed images in Aperture Library (round tripping)
  • Mapping functionality for photo locations (Places).


Advantages of Capture One


  • Keystone adjust
  • The automatic adjust which adjusts exposure, white balance, levels and highlights and shadows works very well


Costs

The cost of a 2 seat personal license is Euro 229. Not cheap and by comparison Aperture was a bargain.


Conclusions

If I had to abandon Aperture I would certainly be very positive towards capture One, and certainly more so than Lightroom which I really didn't like.

I would imagine that once familiar and you had set up your optimised workflow with customised tool tabs it could be very powerful and an excellent replacement for Aperture.

At present I plan to continue to use Aperture up to the point that the OS no longer supports it properly or at the time that hopefully the new Apple Photos app becomes more mature and with the additional functionality required by pro photographers.



Thursday, March 19, 2015

Photos




Have just downloaded the beta release of OS X 10.10.3 with the new Photos app and benchmarking this on my MacBookPro. I pulled in a very small Aperture library which was residing on my MacBookPro which seemed to go ok although the app was working overtime doing something as it processed the images (not sure what as there is not an activity window like you get in Aperture).

Photos appears to be fairly rudimentary although eventually after a bit of tweaking and browsing I found the histogram window, levels control, white balance adjustment and definition, noise reduction and vignette controls. 

Other editing tools comprise the usual basic exposure, highlights, shadows, brightness, contrast and black point sliders and colour sliders with saturation, contrast and cast controls.
There is a black and white option and definition and sharpening sliders.


However sad to see no star rating system carried over from the imported Aperture library - rather just converted to a key word with the star rating. Given that this is a very early release I hope Apple can focus on getting some power functionality into Photos to appease the many disillusioned Aperture users.

It appears to be very much an iPhoto type app rather than the serious pro Aperture app in its present guise.... .we shall see as this develops - let's hope Apple get a little bit more serious with this app as otherwise it is going to leave a lot of serious Aperture users eventually (if not already) to jump ship to Lightroom or Capture One.

I will continue to evaluate this new Photos app in the coming weeks and alongside this I am also evaluating Capture One from Phase One. More reports to come in the coming weeks.

Wednesday, January 28, 2015

i-Mac 27" Retina 5K vs MacPro - A Performance Analysis


I recently bought a new i-Mac 27" with the Retina 5K screen to replace my 6+ year old MacPro which although still going very well I thought it was time for an upgrade. The new i-Mac 27" 5K model appealed to me as a photographer as the screen resolution would be very valuable when editing and post-processing large RAW images.

I was interested to benchmark the performance of the new i-Mac against my MacPro and was very pleasantly surprised by the results.

Machine Specifications

The specifications of the two machines were as follows:

MacPro (Early 2008)



CPU : 2 x 2.8 GHz Quad Core Intel Xeon
Memory : 18 GB 800 MHz DDR2
Graphics Card : NVIDIA GeForce GT 640 2048 MB
Storage : 1 x 4TB system disk, 2 x 3 TB RAID disk for photo archive and 1 x 4TB disk for system backup
Monitor : 30" Apple CinemaDisplay

The MacPro had been upgraded over the years with higher capacity storage disks added, memory upgraded to 24 GB and the graphics card upgraded from the original graphics card.

i-Mac 27" Retina 5K (Late 2014)



CPU : 3.5 GHz Intel Core i5
Memory : 32 GB 1600 MHz DDR3
Graphics Card : AMD Radeon R9 M290X 2048 MB
Storage : 1 x 3TB Fusion Drive, 2 x 4 TB Thunderbolt Western Digital RAID disk for photo archive, 1 x 6TB disk for system backup
Monitor : 27" Retina 5K (5120 x 2880)

The 27" i-Mac was ordered via the Apple online store and upgraded from the base model with maximum memory of 32 GB and a higher capacity 3 TB Fusion drive instead of the standard 1 TB Fusion drive. I did not upgrade the CPU to the i7 as I felt that there would not be a significant performance improvement for the photo editing and processing that I routinely use the machine for.

Benchmark Tests




I tested out 4 different benchmark tests using identical procedures to measure the difference in performance between the two machines. These tests represented standard processes I carry out when editing and post-processing my photos. The tests used different post-processing apps and were as follows:

1. Aperture - Export of 100 full resolution jpg images
2. PhotoMatix Pro - HDR processing of a 7 bracketed sequence of images
3. AutoPano Pro - Processing and blending of a 15 image panoramic sequence
4. FotoMagico - Rendering of a 4.35 minute long 720p movie from a slideshow

The same software versions and the same test images were used on both machines and times measured for each process.

Benchmark Results


The results clearly demonstrated the improved performance of the new 27" i-Mac ..... over 50% faster for most processes compared to the speed on the MacPro. Even given that the MacPro has 2 quad core CPU's it was no match for the newer CPU and probably the extra memory on the i-Mac 27".

Screen Resolution

The new 27" Retina 5K screen on the i-Mac was simply stunning and for my photography editing and post-processing this will be a major benefit. Also for showing off images and slideshows at high resolution this will also be a major improvement. When you use a high mega pixel DSLR it is nice to be able to take advantage of this resolution rather than having the final image on the screen downgraded to the lower resolution of the screen.





Saturday, August 09, 2014

Storehouse - A Visual Storytelling App



Over the last few months I have been publishing many of my photo stories via Storehouse, a new interactive and visual storytelling app for the iPad. It is a unique and highly intuitive application for quickly assembling a documentary photo story using images from your camera or iPhone and then adding in blocks of text and headers to annotate the story.

The speed that you can create a visually appealing and professional looking story is incredible and suits a photojournalist who need to create short, sharp, focused stories with relevant imaging.

I have created 60 stories to date using this app and a summary of these stories are detailed below and also in the summary story on Storehouse: https://www.storehouse.co/stories/t9ozu-my-storehouse-stories


Temples

Angkor Wat https://www.storehouse.co/stories/t9rij-angkor-wat
Kinkaku-ji https://www.storehouse.co/stories/t4rb7-kinkaku-ji
Kiyomizu-dera https://www.storehouse.co/stories/t7rx1-kiyomizu-dera
Fushimi Inari Taisha https://www.storehouse.co/stories/t4rwm-fushimi-inari-taisha
Prambanan http://www.storehouse.co/stories/t1of1-prambanan
Borobudur http://www.storehouse.co/stories/t9oc1-borobudur
Trees of Ta Prohm http://www.storehouse.co/stories/y0s9-trees-of-ta-prohm
Lost City of Angkor http://www.storehouse.co/stories/y7hy-lost-city-of-angkor
Prasat Preah Vihear http://www.storehouse.co/stories/z2r7-prasat-preah-vihear
Koh Ker http://www.storehouse.co/stories/z604-koh-ker
Beng Mealea http://www.storehouse.co/stories/z30r-beng-mealea
Angkor Thom http://www.storehouse.co/stories/z70g-angkor-thom
Preah Rup http://www.storehouse.co/stories/y30n-preah-rup
Preah Khan https://www.storehouse.co/stories/t5r4h-preah-khan
Kbal Spean http://www.storehouse.co/stories/28f7-kbal-spean
Emperor Jade Pagoda http://www.storehouse.co/stories/i47a-emperor-jade-pagoda
Boudhanath http://www.storehouse.co/stories/y859-boudhanath



Cemeteries

Northampton Road Cemetery https://www.storehouse.co/stories/t0ewd-northam-road-cemetery
Cimetière du Père-Lachaise http://www.storehouse.co/stories/t9r0l-cimetiere-du-pere-lachaise
Cimetière du Montparnasse http://www.storehouse.co/stories/t8r0v-cimetiere-montparnasse
Kwong Tong Cemetery http://www.storehouse.co/stories/t0o8e-kwong-tong-cemetery
R.I.P. http://www.storehouse.co/stories/t7o73-r-i-p





Dance

Balinese Dance http://www.storehouse.co/stories/t0rhw-balinese-dance
Flamenco http://www.storehouse.co/stories/t9o9p-flamenco
Tango http://www.storehouse.co/stories/i67d-tango





Travel

Hot Air Balloon Trip https://www.storehouse.co/stories/t4eao-hot-air-balloon-trip
Colourful Colombo http://www.storehouse.co/stories/t4e3s-colourful-colombo
In Bruges https://www.storehouse.co/stories/t2eef-in-bruges
Big Noise, New York http://www.storehouse.co/stories/t7rf6-big-noise-new-york
The Roof of Borneo http://www.storehouse.co/stories/y25f-the-roof-of-borneo
A Walk in the Park http://www.storehouse.co/stories/z0ns-a-walk-in-the-park
Bungamati http://www.storehouse.co/stories/y35l-bungamati
Liu San Jie http://www.storehouse.co/stories/22qa-liu-san-jie
Giant Buddha of Leshan http://www.storehouse.co/stories/27qp-giant-buddha-of-leshan
Juzhaigou http://www.storehouse.co/stories/y005-jiuzhaigou
Cruisin' http://www.storehouse.co/stories/y23o-cruisin
Lí Jiāng http://www.storehouse.co/stories/z0ue-li-jiang
Grande Dune de Pilat http://www.storehouse.co/stories/i38x-grande-dune-de-pilat







Architecture-Urbex

Villa La Rotonda https://www.storehouse.co/stories/t1r7g-villa-la-rotonda
Sainte Chapelle https://www.storehouse.co/stories/t5rmg-sainte-chapelle
Shih Chung School https://www.storehouse.co/stories/t0r9o-shih-chung-school

Graffiti https://www.storehouse.co/stories/t0r3k-graffiti
Lost Legacy http://www.storehouse.co/stories/t5olj-lost-legacy
Bukit Nanas http://www.storehouse.co/stories/i97u-bukit-nanas
Blue Mansion http://www.storehouse.co/stories/c1tl-blue-mansion
White Elephant http://www.storehouse.co/stories/l67i-white-elephant






Documentary

Jolly Coppers on Parade https://www.storehouse.co/stories/t7e4y-jolly-coppers-on-parade
Sowing The Seeds of Love https://www.storehouse.co/stories/t2rv7-sowing-the-seeds-of-love
Hill Tribes of Northern Thailand http://www.storehouse.co/stories/t3ozc-hill-tribes-of-northern-thailand
Take Me To The River http://www.storehouse.co/stories/i48d-take-me-to-the-river
Heartache & Hope http://www.storehouse.co/stories/c28f-heartache-hope

Toil http://www.storehouse.co/stories/w1oj-toil
Fairy Lochs Memorial http://www.storehouse.co/stories/t5tng-fairy-lochs-memorial
New York Easter Parade http://www.storehouse.co/stories/i78g-new-york-easter-parade
Pudu Prison http://www.storehouse.co/stories/y4v7-pudu-prison
Dhobi Ghat http://www.storehouse.co/stories/t2oko-dhobi-ghat
The Last Tin Dredge http://www.storehouse.co/stories/t3lx-the-last-tin-dredge


Friday, June 27, 2014

End of an Era - Aperture to be Discontinued


The news today from Apple that their pro photo application Aperture is to be discontinued will be a huge disappointment for many pro photographers who rely on this robust library management and post-processing application for their workflows. ...... me included.

Apple have decided to discontinue both Aperture and iPhoto and replace this with the new application Photos which will be realised as part of the iOS 8 release in the fall 2014 and OSX Yosemite release early next year. The new Photos application will be geared to link with iCloud and be integrate with iOS applications. Aperture has not had a major update since 2010 when Ver 3.0 was realised and iPhoto has also not been upgraded since 2011.

The new Photos application was first previewed at the recent WWDC 2014 and will be realise as part of the iOS8 realise this fall and the OSX Yosemite release in early 2015. It is very much geared up for cloud-based storage of photographs thereby giving access to images by all OSX and iOS devices for managing and editing. However the focus seems very much on camera photos ...... not much mention of serious pro photograph needs.

An Apple spokesperson stated:

"With the introduction of the new Photos app and iCloud Photo Library, enabling you to safely store all of your photos in iCloud and access them from anywhere, there will be no new development of Aperture. When Photos for OS X ships next year, users will be able to migrate their existing Aperture libraries to Photos for OS X."

Current Aperture users don't need to worry, the program will get updates to work under OS X Yosemite. Still, active development of the app will end.


Apple has also stated that while they have decided to discontinue Aperture they have no intention of abandoning pros and will continue to develop both Final Cut Pro and Logic. I find this statement rather contradictory ...... "no intention of abandoning pros" and yet they are abandoning pro photographers!!
Included with the reports was a new picture of the OS X Photos application, as seen above. From the picture, it would appear that the application has a "prosumer" layout. The app is also shown with a darker user interface, which is different from the predominantly white app shown off at the Worldwide Developers Conference earlier this month, as shown below.




However what does this mean going forward to the many pro photographers who have committed workflows and numerous Aperture plug-ins?

Questions To Ponder

  1. For pro photographers using Aperture to manage, catalogue and post-process multi-terabyte photo libraries how can an iCloud based system be practical? 
  2. Can the replacement Photos application come anywhere close to the power of the current Aperture application for image management and post-processing?
  3. Will the Photos application have the capability to use the current plug-ins which were an integral and 
  4. important part of the Aperture workflow?
  5. The Aperture application had a powerful book publication facility  - will Photos have this facility?
  6. Will Photos have the ability to retain the non-destructive virtual adjustments of the Aperture files?

Alternatives

The obvious replacement application for many photographers would be Adobe Lightroom .... but there are others which may be worth a serious consideration once you have chosen to totally abandon Aperture and don't want to be drawn into the Adobe Creative Cloud environment:

Phase One Capture One Pro 7
ACDC Systems
DxO Optics Pro 8
Corel AfterShot pro

For me I am not going to rush into any transition from Aperture. It is being supported through to OSX Yosemite and my workflow on the current Ver 3.5.1 is stable and meets all my requirements right now, so unless I get a new camera that is not supported by Aperture then it should be ok to continue to use on the Apple platform for some time.

However I will be starting to review alternatives and the Phase One Capture One Pro 7 is looking like a favourite at the moment ...... more on this later as I sort through these apps, test them them and weigh up advantages/disadvantages.









Saturday, January 11, 2014

Aperture - Potential Dangers of Using Stacked Images


All of my RAW master images are stored in my Aperture database as referenced files. This means that the original master RAW files reside on a separate disk system rather than in the Aperture Library itself, with my Aperture application itself and the Aperture Library residing on my main MacPro system disk. This has many advantages of maintaining your Aperture Library to a reasonable size, particularly when your image database system becomes very large. I have about 15 years of digital photos plus earlier digital scans of my 35mm and film camera photos stored in my Aperture system so the file system is quite large by now.

Recently I went through an annual offsite backup and tidy up of my Aperture system and decided to relocate all of my master files except the current year onto an external RAID disk to free up space on my internal Mac Pro RAID disk where all the referenced files used to be located. Aperture allows you to easily relocate master files so after choosing all files in the projects I went through the relocation process to the new external RAID disk. 

Relocate Originals
It was only after this process I noticed an apparent discrepancy in the expected file sizes on the new disk volume. On further investigation I noticed that there were many master images which could not be located - as indicated by the dreaded yellow arrow icon on the image - meaning that the referenced master image could not be found.

Referenced image cannot be found

I suddenly realised that because I use stacks within Aperture to group together image files (in my case I usually group together my multiple bracketed shots as well as multiple images used to create panoramas) all of the missing masters were within stacks. It became apparent to me that unless you open all stacks prior to the relocation of masters then only the stack "image pick" within the stack is relocated.

Stacked images

Thankfully I had a full backup on another external disk system so I then had to go through the process of relocating the missing master images on this backup disk and then regenerating my original referenced library file system.

So a warning to anyone using stacks that before any file manipulation such as copying, relocating masters, etc ensure that ALL stacks in your Aperture project or library are open to ensure that all images are copied or relocated. Otherwise you may not notice that these referenced files are missing and you may then potentially lose these master images for ever.

Thursday, January 06, 2011

Shanghai's 1st Apple Store

This is Shanghai's first Apple store which opened in July 2010. The new store bears a striking resemblance to the flagship Fifth Avenue store in New York City. Located next to the IFC Mall in Lujiazui Financial District in Pudong, aboveground is a 40-foot high glass cylinder (apparently with the largest curved glass panes in the world), with a descending spiral staircase that leads into the actual underground retail space. Unlike New York though, there is an inexplicably shallow moat of water surrounding the store, tripping up those who don't watch their step. 
The store itself is 1500 square meters and holds the most goodies in any Apple store the world over - over 250 unique Apple products on display for people to try, including over one hundred Macs. It also boasts one of the largest Genius Bars, taking up the entire length of the back wall. On staff there are over 175 employees to help customers, 75% of whom are native Shanghainese and 80% of whom hold graduate degrees. Apple expects its China stores to be some of the busiest in the world.