Villa La Rotonda, Vicenza

Villa La Rotonda is a Renaissance villa just outside Vicenza, northern Italy, designed by Andrea Palladio. The proper name is Villa Almerico Capra, but it is also known as La Rotonda, Villa Rotonda, Villa Capra and Villa Almerico. The name "Capra" derives from the Capra brothers, who completed the building after it was ceded to them in 1592. Along with other works by Palladio, the building is conserved as part of the World Heritage Site “City of Vicenza and the Palladian Villas of the Veneto”.

Inspiration

In 1565 a priest, Paulo Almerico, on his retirement from the  Vatican (as referendario apostolico of Pope Pius IV and afterwards Pius V), decided to return to his home town of Vicenza in the Venetian countryside and build a country house. This house, later known as 'La Rotonda', was to be one of Palladio's best-known legacies to the architectural world. Villa Capra may have inspired a thousand subsequent buildings, but the villa was itself inspired by the Pantheon in Rome.

Design

The site selected was a hilltop just outside the city of Vicenza. Unlike some other Palladian villas, the building was not designed from the start to accommodate a working farm. This sophisticated building was designed for a site which was, in modern terminology, "suburban". Palladio classed the building as a "palazzo" rather than a villa.

The design is for a completely symmetrical building having a square plan with four facades, each of which has a projecting portico. The whole is contained within an imaginary circle which touches each corner of the building and centres of the porticos. (illustration, left). The name La Rotonda refers to the central circular hall with its dome. To describe the villa, as a whole, as a 'rotonda' is technically incorrect, as the building is not circular but rather the intersection of a square with a cross. Each portico has steps leading up, and opens via a small cabinet or corridor to the circular domed central hall. This and all other rooms were proportioned with mathematical precision according to Palladio's own rules of architecture which he published in the Quattro Libri dell’ Architettura.

The design reflected the Humanis values of Renaissance architecture. In order for each room to have some sun, the design was rotated 45 degrees from each cardinal point of the compass. Each of the four porticos has pediments graced by statues of classical deities. The pediments were each supported by six Ionic columns. Each portico was flanked by a single window. All principal rooms were on the second floor or piano nobile.

Building began in 1567. Palladio, and the owner, Paolo Almerico, were not to see the completion of the villa. Palladio died in 1580 and a second architect, Vincenzo Scamozzi was employed by the new owners to oversee the completion. One of the major changes he made to the original plan was to modify the two-storey centre hall.

Interior

The interior design of the Villa was to be as wonderful, if not more so, than the exterior. Alessandro and Giovanni Battista Maganza and Anselmo Canera were commissioned to paint frescoes in the principal salons.

Among the four principal salons on the piano nobile are the West Salon (also called the Holy Room, because of the religious nature of its frescoes and ceiling), and the East Salon, which contains an allegorical life story of the first owner Paolo Almerico, his many admirable qualities portrayed in fresco.

The highlight of the interior is the central, circular hall, surrounded by a balcony and covered by the domed ceiling; it soars the full height of the main house up to the cupola, with walls decorated in trompe l’oeil. Abundant frescoes create an atmosphere that is more reminiscent of a cathedral than the principal salon of a country house.

Landscape

From the porticos wonderful views of the surrounding countryside can be seen; this is no coincidence as the Villa was designed to be in perfect harmony with the landscape. This was in complete contrast to such buildings as Villa Farnese of just 16 years earlier. Thus, while the house appears to be completely symmetrical, it actually has certain deviations, designed to allow each facade to complement the surrounding landscape and topography. Hence there are variations in the facades, in the width of steps, retaining walls, etc. In this way, the symmetry of the architecture allows for the asymmetry of the landscape, and creates a seemingly symmetrical whole. The landscape is a panoramic vision of trees and meadows and woods, with the distant Vicenza on the horizon.

The northwest portico is set onto the hill as the termination of a straight carriage drive from the principal gates. This carriageway is an avenue between the service blocks, built by the Capra brothers who acquired the villa in 1591; they commissioned Vincenzo Scamozzi to complete the villa and construct the range of staff and agricultural buildings. As one approaches the villa from this angle one is deliberately made to feel one is ascending from some less worthy place to a temple on high. This same view in reverse, from the villa, highlights a classical chapel on the edge of Vicenza, thus villa and town are united.

Film

In 1979, American film director Joseph Losey filmed Wolfgang Amadeus Mozart’s opera Don Giovanni, in Villa La Rotonda and the Veneto region of Italy. The film was nominated for several Cesar Awards in 1980 including Best Director, and has generally been praised as one of the finer adaptations of opera to the big screen.

World Heritage Site

In 1994 UNESCO designated the building as part of a World Heritage Site.

The late owner of the villa was Mario di Valmarana († Oct. 13, 2010), a former professor of architecture at the University of Virginia. It was his declared ambition to preserve Villa Rotonda so that it may be appreciated by future generations. The interior is open to the public on Wednesdays and Saturdays, except during the winter months, and the grounds are open every day.

The Canals of Treviso

Treviso is a city in Veneto, northern Italy. It is the capital of the province of Treviso and the municipality has 82,854 inhabitants (as of November 2010): some 3,000 live within the Venetian walls (le Mura) or in the historical and monumental center, some 80,000 live in the urban center proper while the city hinterland has a population of approximately 170,000. The city is home to the headquarters of clothing retailer Benetton, Diadora and Lotto Sport Italia, appliance maker De'Longhi, and bicycle maker Pinarello.

Treviso is also known for being the original production area of the Prosecco wine, and being the town where popular Italian dessert Tiramisu was created.

Like Venice, Treviso has canals, but unlike Venice does not have gondolas or more importantly the mad rushing tourists which makes it a very pleasant place to visit. Walking the many small streets traversing the few canals there are scenes you will see that remind you of a painting …. apart from the large crane that was in operation. It is not as touristic as Venice but has all the other great attributes such as wonderful Italian food and local wine. 

Clifford's Tower, York

York Castle in the city of York, England, is a fortified complex comprising, over the last nine centuries, a sequence of castles, prisons, law courts and other buildings on the south side of the River Foss. The now-ruinous keep of the medieval Norman castle is commonly referred to as Clifford's Tower. Built originally on the orders of William I to dominate the former Viking city of York, the castle suffered a tumultuous early history before developing into a major fortification with extensive water defences. After a major explosion in 1684 rendered the remaining military defences uninhabitable, York Castle continued to be used as a jail and prison until 1929.

The first motte and bailey castle on the site was built in 1068 following the Norman conquest of York. After the destruction of the castle by rebels and a Viking army in 1069, York Castle was rebuilt and reinforced with extensive water defences, including a moat and an artificial lake. York Castle formed an important royal fortification in the north of England.

In 1190, 150 local Jews were killed in a pogrom in the castle keep. Henry III rebuilt the castle in stone in the middle of the 13th century, creating a keep with a unique quatrefoil design, supported by an outer bailey wall and a substantial gatehouse. During the Scottish wars between 1298 and 1338, York Castle was frequently used as the centre of royal administration across England, as well as an important military base of operations.

York Castle fell into disrepair by the 15th and 16th centuries, becoming used increasingly as a jail for both local felons and political prisoners. By the time of Elizabeth I the castle was estimated to have lost all of its military value but was maintained as a centre of royal authority in York. The outbreak of the English Civil War in 1642 saw York Castle being repaired and refortified, playing a part in the Royalist defence of York in 1644 against Parliamentary forces. York Castle continued to be garrisoned until 1684, when an explosion destroyed the interior of Clifford's Tower. The castle bailey was redeveloped in a neoclassical style in the 18th century as a centre for county administration in Yorkshire, and was used as a jail and debtors' prison. Prison reform in the 19th century led to the creation of a new prison built in a Tudor Gothic style on the castle site in 1825; used first as a county and then as a military prison, this facility was demolished in 1935. By the 20th century the ruin of Clifford's Tower had become a well-known tourist destination and national monument; today the site is owned by English Heritage and open to the public. The other remaining buildings serve as the York Castle Museum and the Crown Court.